Selling my copy. The cover is Kael Walsh finding exactly what he came for, completely alone, at quite possibly the most crowded lineup on Earth: the Superbank. Inside, the issue goes wide on the topic. Broader culture gets its due, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but productive region in Brazil. Two written portraits go deep: one tracing the path of a 1960s luminary, another examining the title-holder at one of the heaviest waves in the world. On the place side, a memoir of an 80s Baja magazine trip and a visual study of the seasons and peculiarities of coastal New England set scenes you can sink into. Happy to pass it along.

Selling my copy. The cover is Kael Walsh finding exactly what he came for, completely alone, at quite possibly the most crowded lineup on Earth: the Superbank. Inside, the issue goes wide on the topic. Broader culture gets its due, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but productive region in Brazil. Two written portraits go deep: one tracing the path of a 1960s luminary, another examining the title-holder at one of the heaviest waves in the world. On the place side, a memoir of an 80s Baja magazine trip and a visual study of the seasons and peculiarities of coastal New England set scenes you can sink into. Happy to pass it along.